You know, an editor lives in that page as a culture, or a colorist lives in the Color page. And that's nothing that we wanted to do with DaVinci Resolve, we understand that people live in these pages. That people, oh they've gotten rid of the Edit page, or they've changed the Edit page that I make my living off of.

But the important thing for us, we didn't want to make such a drastic change. This is something that we think is really going to add to people, because everyone wants to be faster. And as you've seen through the demos, as you've seen from the videos that are online. This is a entirely new page that's been designed with the idea of, 'How do I just get in and edit as quickly as possible? How do we take away wasted motions, and wasted movements? How do we make things work in a way that move quite quickly and with simple and efficient actions?' And this is what the Cut page has all been driven to. How do I edit faster, how do I move more quickly? And that's a big step that we've done with DaVinci Resolve 16, and that we've added this new Cut page. 'Cause everyone we talked to talked about I want to go faster.

But what we've never really done before is we sat down and said, 'How do we do something completely new, that's never been done but do that in a way that is actually really welcoming to people, an addition to their workflow?' So we thought really hard about how to build something from the ground up. We've added some new artificial intelligence, new facial recognition, new updates to our Fairlight and Fusion page.

All these things that have added so much capability to DaVinci Resolve over the years. One of the things that we did really want to do this year, is you know we've made great strides with DaVinci Resolve, right? We've added Fusion, we've added editing, we've added Fairlight. You know we always come to NAB, present a new version of Resolve and this year's no different. We're going to be talking today about DaVinci Resolve 16.ĭan May: Yeah, it's been a big year for us again. Shawn Lam: It's Shawn Lam here for Streaming Media Producer, at NAB 2019 we're here with Dan May, president of Blackmagic Design.

Davinci resolve 16 blackmagic